Archive for February, 2013

Rock and Roll Wine: Paul Cullen (of Bad Company)

Posted in Rock Moment with tags , , , , on February 8, 2013 by 30daysout
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Paul Cullen, formerly of Bad Company, now has his own wine.

Editor’s Note: This was written by our good friend and L.A. correspondent Randy Fuller, who is also a wine expert.

When a musician offers a wine under his or her name, you can expect certain musical analogies to pop up – like “reds, whites and blues.”  Paul Cullen can handle the blues himself, and he’s man enough to add a pink wine to the red and white mix.

Cullen was the touring bass player for Bad Company back in the early ‘90s.  He still strums the steel strings, but he has also turned his attention from the playing of “Holy Water” to the making of earthy wines.  Cullen’s “Unplugged and Uncorked” line of wines are actually made by Foothill Wine Cellars of Drytown, CA, utilizing grapes grown under the California sun in the Sierra Foothills.  Winemaker Allen Kreutzer is a winemaking veteran and a drummer, so his involvement in the project seems to be as natural as a C major.

Cullen advises those who pick up the bottle and look at the label to “Tune Your Palate” to his wines.  He provided me with samples of three of his wines – the Sonata lineup – so I banged the tuning fork on the edge of the bar and tried them.

The Paul Cullen wines come under a Stelvin closure – known backstage as a screwcap – and the three segments press_release_distribution_0225061_42170of this wine symphony all rock an alcohol content of about 14.5% abv.  That’s hitting a high note for some, but it’s about average for California wines.

Sonata Bianco
This wine is the ballad of the concert, a white wine from the Sierra Foothills.  Sauvignon Blanc is played against a bit of Chardonnay.  It has a very pale color, with a nose that’s rather faint, but  pear and peach aromas make their way through a distinct minerality with a slight grassy note on the side.  The palate is savory, with  the fruit again playing second fiddle.  A nice acidity leaves a clean feeling in the mouth, and it should be great with light salads or just for sipping on the porch while your Pandora goes off on a musical tangent.

Sonata Rosé
Here’s a mid-tempo number that makes you think a bit – just what you want about halfway through the show, a little something to keep you interested.  Its color also plays pianissimo, a pretty light pink in the glass – quite Provence looking.  Aromas of strawberries and watermelon provide the main instrumentation, with a green earthiness handling the backbeat.

It’s nice and dry, and the palate puts an earthy spin on the fruit, too.  The strawberry flavor serves as conductor for a rather complex showing of raspberry, cranberry, green apples and a savory rhubarb note.  There’s also a mead-like flavor which I couldn’t quite figure out.

I was rather surprised to find that this wine is a blend of Petite Sirah and an Italian variety Fiano.  Fiano is a white grape grown mainly in Campania and on the island of Siciliy and, apparently, in California’s Sierra Foothills.

A little research led me to the information that Fiano is noted for a honey-like flavor, which would explain the mead thing – since mead is wine made from honey.  Fiano is also known for a rather heavy handed flavor profile, but so is Petite Sirah.  It’s a good duet.

Sonata Rosso
This is the arena-rockin’ encore anthem of the performance, the fist-pumping climax of the enological event.  Again from the Sierra Foothills, this medium-weight red blend sports a power trio of Syrah, Zinfandel and Cabernet Franc.  This wine needs a lot of time to shake the alcohol from its bouquet, but I suppose real rockers don’t worry about that.

They probably don’t use the term “bouquet” much, either.  Once the heat burns off, blueberries and vanilla explode from the glass like a flash pod.  There a spiciness that joins the fruit on the palate, too – not a surprise in a wine featuring both Zinfandel and Cabernet Franc.  The oak is quite apparent here, but it fits well into the overall structure of the wine.

The Paul Cullen wines are distributed mainly in Delaware, Maryland and North Carolina, but they are available online, if your state allows wine shipments.  In addition to the wines written about here, they also offer one called Gypsy Red – a Merlot/Zinfandel blend – and a Barbera called Jazz Freak.  Jazz Freak retails for $16, while the others sell for $13.

Paul Cullen Wines web site

YouTube: Paul Cullen, pourin’ wine and playin’ guitar

Randy Fuller’s Now and Zin wine blog

Video Du Jour: Slash

Posted in News with tags , , on February 7, 2013 by 30daysout

Some nice guitar work here, in “Anastasia” by Slash featuring Myles Kennedy and the Conspirators. It’s off the 2012 album Apocalyptic Love.

Kennedy, who also fronts the band Alter Bridge, is not so much an Axl Rose soundalike as he is a reasonable mouthpiece for Slash’s new music. But when it comes time to warble those old GnR chestnuts, Kennedy’s more than up to the task.

Slash official web site

Happy Birthday, Bob Marley!

Posted in Rock Moment with tags , , on February 6, 2013 by 30daysout

Bob Marley

Today is Bob Marley’s birthday. He died in 1981 of cancer, but if he’d lived he would be turning 68 years old today.

In his day Bob Marley was more than just a reggae musician. He became an international superstar, and an ambassador for peace and tolerance. He made music that united people of different races and backgrounds, and especially later in his life spoke out for equality and justice for all.

If you can, watch Marley, the 2012 documentary produced by his son Ziggy and wife Rita.

Bob Marley official web site

MP3: “Stir It Up” by Bob Marley & the Wailers

MP3: “Kinky Reggae” by Bob Marley & the Wailers

MP3: “No Woman, No Cry” (live) by Bob Marley & the Wailers

MP3: “I Shot The Sheriff” (live) by Bob Marley & the Wailers

MP3: “Get Up, Stand Up/No More Trouble/War” (live) by Bob Marley & the Wailers

It’s Mardi Gras Time – Again!

Posted in Rock Moment with tags , , , , , , , , on February 4, 2013 by 30daysout

Editor’s Note: This is a repost from last year, or the year before – whatever.

Mardi Gras is the final big blowout before the period of fasting and sacrifice called Lent.  Fat Tuesday, the day before Ash Wednesday, is the end of carnival season and the final day you can indulge in those earthly pleasures we all love so much. Ash Wednesday is next Wednesday.

Feel free to party as you please; here’s some music to help you on your way.  Play ‘em loud, play ‘em often and play ‘em all year – make every day a Mardi Gras Day.

Don’t forget: You can tune in to real-time live webcams for a ringside seat to the madness and Mardi Gras parades in New Orleans.  NOLA webcams

MP3: “Life Is A Carnival/Party” by the Wild Magnolias

MP3: “Mardi Gras Mambo” by the Hawketts

MP3: “Second Line, Part 1” by Bill Sinegal & the Skyliners

MP3: “Who Dat at Mardi Gras” by Luther Kent

MP3: “Carnival Time” by My Morning Jacket w/the Preservation Hall Jazz Band

MP3: “Brother John/Iko Iko” by the Neville Brothers

MP3: “My Indian Red” by Dr. John

MP3: “Shake That Thing” by the Preservation Hall Jazz Band

MP3: “Walking To New Orleans” by Fats Domino

MP3: “Tipitina” by Professor Longhair

MP3: “When The Saints Go Marchin’ In” by Louis Armstrong

MP3: “Mardi Gras Mambo”/”Hey Pocky-A-Way” (live) by the Meters

Live: Ryan Bingham, Houston

Posted in Rock Moment with tags , , , on February 3, 2013 by 30daysout
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Ryan Bingham

Lots of fun Friday at Cactus Music in Houston, as Ryan Bingham dropped by to perform a handful of tunes from his latest studio album, Tomorrowland.  The acoustic set included the rollicking “The Road I’m On,” “Never Ending Show” and “Western Shore.”

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There’s Ryan Bingham in Houston, back there with the gimme cap.

Bingham is, of course, the Academy Award-winning writer and singer of “The Weary Kind,” from the movie Crazy Heart, and the latest in a long line of fine singer-songwriters of the Texas tradition. This was a bit of a homecoming for Bingham, because he spent his high school years in Houston before taking off to join the rodeo circuit.

Tomorrowland, Bingham’s fourth studio album, is a bit of a rocker that’s earned good reviews. At the in-store on Friday, Bingham stripped the songs down to their acoustic underpinnings but the boy’s a heck of a guitar player, so they rocked nevertheless. “Never Ending Show” is one of his many road songs, declaring “I don’t need the marquee lights/I don’t need my name in lights” while all he wants is to “hopefully make it home.”

“Too Deep To Fill”  is perhaps the album’s best song, Bingham’s mission statement of why he’s hitting the road again: “I’m going out to the country/I’m going to see if I can find out why,” while reminding the listener he will won’t stray forever with “I hope to be home by supper time.”

People in Houston kill me: this capacity show at the record store (complete with firemen on hand, ostensibly to prevent too many people breaking the fire code) required a purchase and a bit of trouble to enter. Still, there were pockets of people who’d rather stand and gab with their bros and ugly girlfriends, instead of relinquishing 30 minutes of attention to this fine artist. Bingham seemed to sense this, so his set at Cactus was a bit shorter than the one he performed the day before in Austin.

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Bingham took some time to meet the fans and sign autographs afterward.

The people who really were there for the music were early and up front, one even offered Bingham a swig from his whiskey flask which the singer happily obliged. The payoff was a rollicking version of early song “Bread and Water” with the lyric “Houston always brings me down” delivered with a big smile from Bingham.

We didn’t get the surprise treat that Bingham offered the Austin audience, a cover of Robert Earl Keen’s “The Road Goes On Forever.” But you can see it on the YouTube video below, at about the 36:30 mark.

If you want to see Bingham with his full band, he plays March 10 in Houston at House of Blues. Or catch him at another tour stop, click here for a list.

YouTube: “The Road I’m On,” live at Cactus Music, Houston, 2/1/2013

YouTube: “Keep It Together”

Videos courtesy of pokabeb

YouTube: Ryan Bingham plays an in-store at Waterloo Records, Austin, 1/31/2013. Thanks to Bob Knauf for the video.

Ryan Bingham official web site

And Now A Word From … Jimmy Cliff

Posted in Rock Moment with tags on February 1, 2013 by 30daysout
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Jimmy Cliff will “Get Happy” on Super Bowl Sunday.

Volkswagen’s Super Bowl spot for Sunday’s big game is already pissing off some people, and it hasn’t aired yet.

It features a white guy in an office building, speaking in a Jamaican accent to implore his coworkers to chill and “get happy,” before taking a couple of them for a spin in his VW beetle. The P.C. types are already offended, apparently because the Jamaican accent and the office character stereotypes are “offensive to people of color and multiculturalism.”

Whatever – perhaps you’d like more beer commercials with hot chicks in bikinis (well, now that you mention it …)? You think Volkswagen’s ad agency planned it this way, so they can get some cheap heat before the commercial airs (the 2011 VW Super Bowl commercial was memorable, last year’s was not)?

Anyway, one reason we like the ad is that it features reggae great and Rock and Roll Hall of Famer Jimmy Cliff singing in the background. Doing “C’mon, Get Happy,” no less: that was the theme song of the old TV series “The Partridge Family.”

The ad will run during the second quarter of the Super Bowl, so catch it. Or, if you are a fan of lowly music blogs giving giant corporations free advertising, via YouTube below. Ain’t America great?

Bonus (even more free advertising): Teaser spot for the Super Bowl spot, with more of Jimmy Cliff singing “C’mon, Get Happy”