Archive for Allen Toussaint

Storm Aftermath: Music and Hope

Posted in News with tags , , , , , on November 2, 2012 by 30daysout

Some years ago we took a family vacation to California, and I found myself riding on a streetcar in San Francisco. While the rest of the family clung to the sides as the car rolled up and down the hills, I stood on the back platform and talked with the conductor.

“Where ya from?” he asked. “Houston,” I said. “You got them hurricanes down there?” he asked. “Yeah,” I said. “We got them earthquakes here,” he said. “At least you can see those hurricanes comin’. We don’t get any warning with earthquakes.”

Okay. He wins the natural disaster sweepstakes, I suppose. Whether or not you can see these things coming, and whether or not one lives in a place that gets hurricanes or earthquakes or droughts or blizzards, it’s always tough to see bad things happen to good people.

Yeah, we’ve gotten our fair share of hurricanes where I live. I know what it’s like to have the power out for days, even weeks, and what it’s like to eat the quickly rotting food out of a dead-for-days freezer. My whole family knows what it’s like too, and it ain’t fun.

So I can feel for the folks in New Jersey, New York and other points north who are still trying to survive, and come to terms with their trashed houses and neighborhoods. The best advice I can give ‘em? Hang in there. You’re still alive, act like it. And remember the next guy is suffering too, so have a little compassion.

From New Orleans to New Jersey and New York: the great Allen Toussaint with a song he wrote, long before he finally recorded it for a Katrina benefit.

The folks up north are getting their own telethon: “Hurricane Sandy: Coming Together,” airs tonight (Nov. 2) at 8 p.m. (EDT) on NBC-Universal stations. The special will air simultaneously on NBC, Bravo, CNBC, E!, G4, MSNBC, Style, Syfy, The Weather Channel and USA Network.

It will also air on HBO, according to some reports, and other networks may join in before air time. The telethon will be simulcast on Bruce Springsteen’s E Street Radio on SiriusXM and tape delayed for the West Coast. Matt Lauer will host.

“Coming Together” will include performances by Christina Aguilera, Jon Bon Jovi, Billy Joel, Bruce Springsteen and Sting. Jimmy Fallon and Brian Williams are also scheduled to appear.

Hurricane Sandy: How You Can Help (NBC web site)

Video Du Jour: Preservation Hall Jazz Band

Posted in Rock Moment with tags , , , , , on September 26, 2012 by 30daysout

Another venerable music act is celebrating its 50th anniversary this year, and although they may not get the attention of the Rolling Stones or the Beach Boys, the Preservation Hall Jazz Band is a great and vital piece of American music history.

The band, based out of historic Preservation Hall in New Orleans, is releasing a new album,  St. Peter and 57th. The album consists of live recordings from a show in Carnegie Hall and features special guests including tUnE-yArDs, Trombone Shorty, Yasiin Bey, Jim James, Allen Toussaint, Steve Earle and many more.

This is pretty sublime stuff, and if you can’t enough the band is also releasing a 4-CD, 58-track collection celebrating 50 years of Preservation Hall. You can check out both items on the official web site, and go here to download a free song – the band performing the Crescent City classic “St. James Infirmary” with Jim James of My Morning Jacket and Trombone Shorty.

Preservation Hall Jazz Band official web site

YouTube: Preservation Hall Jazz Band with the Del McCoury Band on “Late Night With David Letterman” in 2011

Mardi Gras Time

Posted in Rock Moment with tags , , , , , , on February 11, 2012 by 30daysout

The season of Mardi Gras, the final big blowout before the period of fasting and sacrifice called Lent, begins this weekend.  Feel free to party as you please; here’s some music to help you on your way.

These are some Louisiana-style tunes to spice up your Mardi Gras mixtape. Play ‘em loud, play ‘em often and play ‘em all year – make every day a Mardi Gras Day.

MP3: “Between Eunice & Opelousas” by Steve Riley & the Mamou Playboys

MP3: “Zydeco Et Pas Sale” by Clifton Chenier & His Red Hot Louisiana Band

MP3: “Grow Too Old”  by Bobby Charles

MP3: “Shake Your Tambourine” by the Neville Brothers

MP3: “Ooo Poo Pah Doo” by Trombone Shorty

MP3: “St. James Infirmary” by Allen Toussaint

MP3: “Meet De Boys On De Battlefront” by the Wild Tchoupitoulas

MP3: “My Indian Red” by Dr. John

MP3: “It’s You I Love” by Fats Domino

MP3: “Tip On In (Part 2)” by Slim Harpo

MP3: “Give Him Cornbread” by Beau Jocque & The Zydeco Hi-Rollers

MP3: “Hot Tamale Baby” by Marcia Ball

Your Sister’s (Record) Rack: The Wild Tchoupitoulas

Posted in Lost Classics! with tags , , , , , , , , , on March 6, 2011 by 30daysout

Continuing our countdown to Mardi Gras, which is this week: an album that was overlooked at the time of its release in 1976, The Wild Tchoupitoulas has nevertheless come to be considered as a landmark of New Orleans music.  Not only that – it’s a great Mardi Gras party album.

The Wild Tchoupitoulas (pronounced Choo-Pi-TOO-las) was a Thirteenth Ward street gang that put down its weapons and picked up the colorful feathery trappings of Mardi Gras Indians. A tradition dating back to the mid-19th century, the Mardi Gras Indians dressed up in a wild takeoff of Native American garb so they could get around racial segregation. When a large Caribbean population began to grow in the Crescent City that culture assimilated itself into the Mardi Gras Indian tradition.

So, we have The Wild Tchoupitoulas, formed by George Landry, a.k.a. “Chief Jolly.” He had a musical background and his Indians performed a wild call-and-response routine during Mardi Gras parades. When he was approached to possibly cut an album, Jolly recruited as a producer one of the biggest names in New Orleans music – Allen Toussaint.

And for instrumental backup, Chief Jolly didn’t have to look far: he had some nephews who played, their last name was Neville. His nephews Art and Cyril Neville played with seminal NOLA funksters the Meters, who often joined Toussaint on his hit-making projects. With the Meters in the fold, Art and Cyril invited their brother Charles, who was a jazz sideman, and little brother Aaron. Aaron Neville, with an otherworldly voice, who had regional hits like “Tell It Like It Is” and “Everybody Plays The Fool.”

The album kicks off with “Brother John,” the tale of a fallen gang brother, and instantly you can hear the intricate rhythms of the Meters and Art Neville’s sweet keyboard work.  “Meet De Boys On The Battlefront” is an Indian “battle” cry – instead of fighting, this battle is a musical one. “Indians, Here Dey Come” and “Indian Red” are also born from Chief Jolly’s street chants; it’s worth sitting through the long first part of “Indian Red” to get to that little funked-up part about five minutes, 40 seconds in.

Toussaint puts in a ringer, “Hey Pocky-A-Way,” which was a hit of sorts for the Meters in 1974. This version is a little looser than the original, and it features on background vocals the Brothers Neville harmonizing together for the first time.

When The Wild Tchoupitoulas was released it wasn’t a hit (except in New Orleans, of course) but it did inspire the Nevilles to perform together as a brother act. Hence, the Neville Brothers – and when they released their second album in 1981 (the stone classic Fiyo On The Bayou), they kicked it off with a rockin’ version of “Hey Pocky-A-Way” and dedicated it to George “Big Chief Jolly” Landry, who died in 1980.

The Neville Brothers and the Meters continue to be active, and every time one of these units takes a stage it’s a reminder that they deserve more than just about anyone else to be enshrined in the Rock and Roll Hall of Fame. Forget Mardi Gras – any time of the year, this is essential American music.

MP3: “Brother John”

MP3: “Meet De Boys On The Battlefront”

MP3: “Indian Red”

The Wild Tchoupitoulas, pictured in 1976

 

Video of the Day: “O Mary Don’t You Weep”

Posted in video with tags , on May 26, 2010 by 30daysout

New Orleans musician Theresa Andersson (who is actually from Sweden) has a new DVD, “Theresa Andersson: Live at Le Petit,” and it features this amazing performance of the Civil War-era spiritual “O Mary Don’t You Weep.”  Theresa is a singer and a fiddler, but on this video you can see how she’s taken her performance to the edge to deliver something really new and exciting.  She so deftly blends her live performance with the backing track that it’s truly spellbinding to watch.  “Theresa Andersson: Live at Le Petit,” with special guests including the legendary Allen Toussaint, is available now at Theresa’s website.

Theresa Andersson official website

Your Sister’s (Record) Rack: The Meters/Neville Brothers

Posted in Lost Classics! with tags , , , , , , on February 8, 2010 by 30daysout

Guess everyone’s talking about New Orleans today.  So in honor of the Saints in the Super Bowl, and Mardi Gras, let’s take a brief look at two albums with virtually the same title:  Fire On The Bayou by the Meters, and Fiyo On The Bayou, by the Neville Brothers.

The Meters are, of course, one of the greatest bands ever.  That they aren’t in the Rock and Roll Hall of Fame is one of the true injustices in this world, and proof positive that the people running that Hall are trend-chasing lackeys who are more interested in selling tickets to tourists rather than honoring and preserving the history of great music.  Formed in 1965, the original quartet included drummer Zigaboo Modeliste, guitarist Leo Nocentelli, bassist George Porter Jr. and keyboardist extraordinaire Art Neville.  They had a few R&B instrumental hits including “Cissy Strut” and “Sophisticated Cissy,” and by 1972 they were the most sought-after players in New Orleans.  Becoming the house band for Allen Toussaint’s Sansu Records, they played on hits from Dr. John (“Right Place, Wrong Time”), Labelle (“Lady Marmalade”), Ernie K-Doe and many others.

In 1974 Paul McCartney asked the Meters to play on his album Venus and Mars, then they played the album’s release party aboard the Queen Mary.  Mick Jagger was blown away by the Meters, so he invited them to tour with the Stones that year.  That leads to 1975, and the album Fire On The Bayou.  Produced by Allen Toussaint, this classic unveiled the now classic title cut as well as a new, fifth band member: little Neville brother Cyril, on vocals and percussion.  “Fire” showcases what the Meters were all about: some really tasty riffs on top of a spicy, funky little rhythm.  “Talkin’ About New Orleans” and the extended groove “Middle Of The Road” are more of the same.

But there are two cuts that stand out above the rest: “Mardi Gras Mambo” is actually a cover, the original was cut in 1953 as a country song but the next year a New Orleans band, the Hawketts, made it their own.  The Hawketts were led by then-17-year-old Art Neville, and the song became a Mardi Gras standard.  The Meters’ version substituted Neville’s keyboards for the tasty sax on the Hawketts’ record, but it rocks anyway.  And then there’s “They All Ask’d For You,” a tune with some local catchphrases and an insanely catchy melody.  The Meters claimed writing credit on it, but there’s evidence at least some part of this song has been handed down among New Orleans musicians over the years but no matter – I remember going to New Orleans for Mardi Gras in 1976 or so and it was everywhere.

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Sampler Daze: The WB/Reprise Loss Leaders, Part 12

Posted in Lost Classics! with tags , , , , , , , , , , , on October 1, 2009 by 30daysout

CollectusInterrupt pumpingvinyl

There was just no denying it, by 1978 two things were obvious: one, the Loss Leaders had definitely gone uptown.  And two, our buddies in Burbank were definitely in denial over the Disco Monster, at that time raging on radio stations across the country.

Check out this copy from Collectus Interruptus, the only sampler from ‘78: “This is unequivocable party music.  Danceable R&B by some of its premier practitioners – none of them, curiously, traversing the well-traveled terrain of disco.”  This was to introduce artists like Nickolas Ashford and Valerie Simpson, the husband-wife team who wrote monster hits for Marvin Gaye and Diana Ross before jumping to Warner Bros. in the early ’70s.  Despite the denial, “Don’t Cost You Nothing” from Ashford & Simpson sounds suspiciously like disco.  And you can’t blame ‘em; pretty much everyone from the Bee Gees to the Rolling Stones to Kiss at least dipped their toes into the disco waters in 1978.

Collectus Interruptus also featured funk from Bootsy’s Rubber Band and the definitive “Bootzilla”, a tasty “Night People” from the great New Orleans master Allen Toussaint and selections from franchise players Gordon Lightfoot, Gary Wright, George Benson and Seals & Crofts.  But it’s an interesting sampler in that you can hear the first stirrings of a few contenders that would soon rise to tame the disco monster: there’s “Soft and Wet,” from the debut LP of an 18-year-old named Prince, the brothers Van Halen introduce themselves with “Runnin’ With The Devil” and this little band outta New Yawk, the Ramones, going to “Rockaway Beach.”

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Walkin’ To New Orleans: Let’s Go To The Mardi Gras!

Posted in Uncategorized with tags , , , , , , , , , , , on February 23, 2009 by 30daysout

bourbon-street1

Ah yes, Mardi Gras.  If this is your first time, welcome.  I remember my first Mardi Gras in New Orleans, back around 1978 or so.  I spent three days and nights there, and when I left I wondered “What the hell just happened?”

Mardi Gras is a party for the best of reasons: to have a party.  Catholics say it’s to get all the deviltry and mischief out of your system before Lent sets in but if you go to New Orleans you get the impression most of these partygoers aren’t worried about sinning, church and stuff like that. 

At Mardi Gras, you drink a lot.  You stand around to yell and grovel for someone to toss you cheap colored beads and worthless coins.  You drink some more.  Women walk up to you and lift up their shirts, and their breasts are painted like big eyeballs.  Prostitutes hit on you, transvestites hit on you, middle-aged male tourists from Des Moines hit on you.  You need to drink some more.

So, as a public service, on the other side of the jump we give you the official 30 Days Out Mardi Gras Party Kit.

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It’s Time To Enshrine The Meters/Neville Brothers!

Posted in Uncategorized with tags , , , , , , on February 23, 2009 by 30daysout
nevilles

The Neville Brothers

If there is anyone who deserves to be in the Rock and Roll Hall of Fame, it’s Art Neville.  He should have been one of the first guys to get in there.  Art is the cornerstone of two of the greatest bands of all time- both of which should have been in the Rock Hall a long time ago.

Of course, Art Neville is the keyboardist and singer of The Meters (sometimes known as the Funky Meters), simply the finest bunch of musicians to ever come out of New Orleans.  The Meters – guitarist Leo Nocentelli, drummer Joseph “Zigaboo” Modeliste, bass player George Porter Jr. and Art Neville – collaborated with the great Allen Toussaint on landmark recordings.  They appear on “Right Place, Wrong Time” by Dr. John, “Lady Marmalade” by Labelle, “Listen To What the Man Said” by Paul McCartney and Wings, and countless other hits.

The Meters also made their own records, and they are great.  They worked as a mostly instrumental unit in the late 1960s and early 1970s, cranking out such funky standards as “Look-Ka Py Py” and “Cissy Strut.”  But in 1972 they signed with Warner Bros./Reprise and added Art’s little brother Cyril on vocals and bongos, and kicked off a creative period that included the classic albums Rejuvenation (1974) and Fire On The Bayou (1975).  “Hey Pocky Way,” the monster track from Rejuvenation, kicks off with an Art Neville piano lick that virtually defines New Orleans music.

meters20101

The original Meters

In 1976 George “Big Chief Jolly” Landry began recording an album of New Orleans Mardi Gras music with his Wild Tchoupitoulas “Indians” (a social group known for its elaborate costumes during Mardi Gras).  The one trouble was, the Tchoupitoulas weren’t musicians.  But Landry just happened to have a few nephews who were – they were all named Neville.  So the Meters served as the Tchoupitoulas rhythm section and for fun they invited brother Aaron Neville to sit in.  They covered “Hey Pocky Way” again (the Nevilles would also do it later).

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30 Days Out (From Christmas): Louisiana

Posted in 30 Days Out (From Christmas) with tags , , , , , , , , , , , , , , , on December 16, 2008 by 30daysout

2007neworleanschristmas2

Day 20 – Our Christmas journey today brings us to the great state of Louisiana – or more precisely, New Orleans.  The Crescent City is home to some of the greatest American musicians of past and modern eras, and being the nice Catholic boys and girls most of ‘em are, they really know how to put on a good party at Christmas.  We also veer slightly into Cajun country for a couple of our selections but it’s all Louisiana, it’s all good.  Lassez les bon temps roulet.

MP3: “Christmas In New Orleans” by Louis Armstrong

MP3: “The Day It Snows On Christmas” by Allen Toussaint

MP3: “Christmas Gumbo” by Art Neville

MP3: “Zydeco Christmas” by C. J. Chenier

MP3: “Here Comes Santa Claus” by Joe Bonsall

MP3: “Christmas Fais Do Do” by Marcia Ball

MP3: “Santa Claus Is Comin’ To Town” by Al Hirt

MP3: “I Saw Mommy Kissing Santa Claus” by Pete Fountain

MP3: “Peace Brother Peace” by Dr. John

MP3: “Let It Snow” by the Dixie Cups

MP3: “The Christmas Blues” by the Dukes of Dixieland w/Topsy Chapman & Lars Edegran

MP3: “Santa Don’t Let Me Down” by Earl King

MP3: “All I Want For Christmas (Is A Little Bit Of Music) by Huey Piano Smith & the Clowns

MP3: “Frosty The Snowman” by Fats Domino

MP3: “Such A Night” by Aaron Neville

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