Archive for Bobby Charles

Your Sister’s (Record) Rack: Rick Danko

Posted in Lost Classics! with tags , , , , , , , on July 15, 2010 by 30daysout

Riffling through my big sister’s stack of records I found an album that many people would consider a lost classic: Rick Danko, the 1977 solo debut album from the bass player and singer from the Band.  It was the first solo LP by a member of that beloved group, which had famously disbanded the year before with its “Last Waltz” concert in San Francisco.

And of all the solo projects by the members of the Band, only Rick Danko features each member of the group.  Other friends and guests included Eric Clapton, Ron Wood, Doug Sahm, Blondie Chaplin (then of the Beach Boys), Gerry Beckley (of America) and David Paich (who would later become part of Toto).  Danko wrote most of the tracks with lyrics by actor/comedian Emmett Grogan and Louisiana singer/songwriter Bobby Charles, who was a friend of the Band.

Many people have said this is the best solo effort by any member of the Band, but I think those assessments were made before Levon Helm’s more recent success (Dirt Farmer, Electric Dirt).  Rick Danko would certainly rank up there among the best, though.

Songs like the opener “What A Town,” “New Mexico” and “Small Town Talk” – all co-written with Charles – sound most like the Band.  “What A Town” is an uptempo lope a lot like “Ophelia” and Ron Wood, who was in the Rolling Stones by this time, contributes a sweet guitar solo.  Another highlight is “New Mexico,” flavored by the accordion of Garth Hudson and the guitar of Eric Clapton.

“Tired of Waiting” sounds a lot like a Doug Sahm tune, and in fact Sir Doug himself lays down some vocal harmonies and a guitar solo on this track.  When Bobby Charles did “Small Town Talk” on his own solo album he took an almost acoustic, singer/songwriterly approach.  Danko’s version of the song lays on the horns for fuller production – and Danko himself plays lead guitar on this highlight.

Robbie Robertson takes a turn on guitar with “Java Blues” and it’s one of his better solo riffs.  By the time Levon Helm lends his singular vocal twang to harmonies on “Once Upon A Time,” you can close your eyes and hear the Band at Woodstock.  But that was the final tune on the album – although a rich experience, it seems very short to me.

Danko would of course be part of the reunion of the Band (minus Robertston) in the 1990s.  After Richard Manuel’s suicide, Danko and Helm handled most of the vocals on the three studio albums under the Band imprint.  Danko also cut a few folk-oriented albums with singer/songwriter Eric Andersen and Norwegian roots artist Jonas Fjeld and one of them, Danko/ Fjeld/ Andersen from 1991, won a Grammy Award.  Danko would tour with Ringo Starr’s All-Starr Band and cut a few more solo albums before his death in 1999.

MP3: “What A Town”

MP3: “Java Blues”

MP3: “Once Upon A Time”

The Band official website (with extensive info on all the members’ solo projects)

Who Dat?™ Geaux Saints!

Posted in News with tags , , , , , , , , , , on February 4, 2010 by 30daysout

Oh yeah … all those years when nobody else cared about the Saints, it was “Who Dat? Nation” and “Who Dat?” dis and “Who Dat?” dat.  Now the NFL is claiming “Who Dat” is copyrighted, or it’s a trademark, or something.  Now that the New Orleans Saints are in the Super Bowl, the NFL is seizing”Who Dat?” – oh wait … “Who Dat?™” – in hopes of feeding its already bloated billion-dollar enterprise.

Who Dat?™ who’s greedy?  The NFL, dat’s Who Dat?™!

In other news, our great friend and awesome photographer Art Meripol sent an e-mail yesterday: he’s on assignment in New Orleans shooting jazz clubs from about now until the middle of next week.  The Super Bowl’s on Sunday, Mardi Gras hits its fever pitch next week (or Sunday if the Saints win), and our buddy’s in the middle of it all.  Nice work if you can get it.

Anyway, the covergence of these great events is convenient … so in the interest of public service, here’s a handful of New Orleans and Louisiana swamp rock songs for your Super Bowl/Mardi Gras party.  You can find many more by going to our “Walkin’ To New Orleans” series, plus we have a handful of Saints fight songs.  Of course, there are beaucoups more Saints fight songs at the New Orleans Times-Picayune.  The Saints, the Colts and the Who are gonna tear it up this weekend … be there, square hair!  Geaux Saints!

MP3: “Party Town” by Bobby Charles

MP3: “Blueberry Hill” by Fats Domino (Live at Austin City Limits)

MP3: “The Crawl” by Guitar Junior

MP3: “Tell It Like It Is” by Eddie Bo

MP3: “Shake Your Tambourine” by the Neville Brothers (live)

MP3: “Hang ‘Em High” by the Meters

MP3: “Where There’s A Will There’s A Way” by Ernie K-Doe

MP3: “I’m A Fool To Care” by Joe Barry

MP3: “Rockin’ At Cosimo’s” by Lee Allen

MP3: “My Toot Toot” by John Fogerty w/Rockin’ Sidney

MP3: “Down South In New Orleans” by the Band w/Bobby Charles & Dr. John (live)

MP3: “Mardi Gras In New Orleans” by Professor Longhair

MP3: “Don’t Mess With My Popeye’s” by Fats Domino and Doug Kershaw

R.I.P. – Bobby Charles & Teddy Pendergrass

Posted in News with tags , , , , on January 15, 2010 by 30daysout

Bobby Charles

The music world has lost two giants this week – singer/songwriter Bobby Charles, and R&B singer Teddy Pendergrass.   Charles, writer of “Walkin’ To New Orleans” and “See You Later Alligator,” also cut a highly regarded solo album in 1972 with members of the Band.  His songs have been recorded by the Band, Joe Cocker, Ray Charles and Kris Kristofferson.

Bobby Charles obituary in the Lafayette Daily Advertiser

Story from 2007 on Bobby Charles in the New Orleans Times Picayune

MP3: “Small Town Talk” by Bobby Charles

MP3: “I’m That Way” by Bobby Charles

MP3: “Grow Too Old” by Bobby Charles

MP3: “See You Later Alligator” by Bobby Charles

Teddy Pendergrass

Teddy Pendergrass also passed this week, at age 59.  He spent his last 28 years in a wheelchair after being injured in a car crash.  He was lead singer for Harold Melvin and the Blue Notes, and after leaving that group in 1975 he became a million-selling solo hitmaker.

An appreciation of Teddy Pendergrass from the Los Angeles Times

MP3: “Don’t Leave Me This Way” by Harold Melvin & the Blue Notes

YouTube: “When Somebody Loves You Back” by Teddy Pendergrass

Walkin’ To New Orleans: Cajun Swamp Rock

Posted in Uncategorized with tags , , , , , , , , , , on February 19, 2009 by 30daysout
dougkershaw2

Doug Kershaw

We’re taking a trip from Texas to New Orleans and plan to get there in time for Mardi Gras.  Along the way, we’re revisiting some of the interesting characters we’ve met in past years.  Today we’re in the dark swamps along the Atchafalaya River, but the story begins back in Texas.

I remember this scene as clearly as yesterday: I’m in a small garage apartment and two music legends are sitting in my living room.  Jivin’ Gene Bourgeois and Johnnie Allan, both South Louisiana music legends, are doing some publicity for a music show in Port Arthur and they decided to “take it” to the reporter.  Where he lives.

I had met Allan – who was a high school principal in Lafayette, Louisiana, at the time – at a South Louisiana music legends show the year before.   We drove to the show with Jivin’ Gene, who was a neighbor and old friend.  Allan was, and still is, one of the most tireless proponents of the South Louisiana music sound.  That sound was a tasty blend of rock and roll, R&B and a bit of rockabilly made spicy with some Cajun seasoning.  A British guy started calling it “Swamp Pop” in the 1970s but I always hated that term – “Swamp Rock” is more appropriate.  Because, as we used to say in Port Arthur, that shit rocks.

Continue reading

Lost Classics! Bobby Charles

Posted in Lost Classics! with tags , , , , , , on June 12, 2008 by 30daysout

Last year, the New Orleans Times Picayune called Bobby Charles a “lost legend.”  That is perhaps the only way to describe Robert “Bobby” Charles Guidry, a coonass who came out of Louisiana in the 1950s and became one of the first important songwriters of the rock and roll era.  Bobby Charles, as he became known, was a recording artist for Chicago blues/R&B label Chess Records but he made his impact as a songwriter: “See You Later Alligator” for Bill Haley & the Comets; “Walking To New Orleans,” one of Fats Domino’s greatest hits; and “(I Don’t Know Why I Love You) But I Do,” for Clarence “Frogman” Henry.

Continue reading