There was no denying that, by 1975, popular music was undergoing another change. The advances of the late 1960s had sunk in, and rock had already gotten over the Beatles by introducing bands like Led Zeppelin, Deep Purple and Foghat. The second wave of hard rockers were honing their chops in 1975, and names like Aerosmith, Boston and Van Halen were waiting in the wings.
But the pop charts were showing a different shade: black. Black artists had always been a part of pop music, of course: names like Stevie Wonder, Smokey Robinson and Diana Ross regularly appeared on the Top 40, as did Aretha Franklin, Marvin Gaye and the Staple Singers. By 1975, soul music and R&B had been influenced by psychedelic guitar music, and the new music born from that was called funk.
Curtis Mayfield
One of the big artists of the early Seventies was Curtis Mayfield, who soldiered through the 1960s as the mastermind behind the Impressions and their groundbreaking hits like “People Get Ready,” “Keep On Pushing” and “We’re A Winner.” Mayfield left the group in 1970 and as a solo artist he helped put black music on the top 40 with his classic soundtrack to the blaxploitation movie Superfly. In 1975 Mayfield took his own label, Curtom, to Warner Bros., and he anchored the first sampler from that year, All Meat. In 1990 Mayfield would be seriously injured by falling stage lighting, and he was paralyzed from the neck down. After nearly a decade in this condition, Mayfield died in 1999.
30 Days Out 
