Archive for Petula Clark

Je n’ai rien appris, Part 2 – More foreign language fun

Posted in Uncategorized with tags , , , , , , , , , , on March 27, 2011 by 30daysout

The Beach Boys in Japan, 1966.

More versions of English/American hits done in other languages by the original artists. Now, there are TONS of hit songs that were remade for European and Japanese music fans – the Beatles’ remakes alone could fill a large warehouse – but we thought we’d focus here on the versions cut by the people who made the hits. I would give anything to see how long it took Johnny Cash to lay down German versions of his songs.

Full disclosure: “Santo Domingo” by Wanda Jackson, was actually originally recorded only in German in 1965. She cut a handful of German-language songs that were eventually collected on an album, Made In Germany.

MP3: “Le Temps des Fleurs” (Those Were The Days) by Mary Hopkin (French)

MP3: “Lowdown” (live, sung in Japanese) by Chicago

MP3: “Santo Domingo” by Wanda Jackson (German)

MP3: “My Cherie Amor” (Italian version) by Stevie Wonder

MP3: “Wer kennt den Weg” (I Walk The Line) by Johnny Cash (German)

MP3: “Sie Liebt Dich” (She Loves You) by the Beatles (German)

MP3: “L’amore Verrà” (You Can’t Hurry Love) by the Supremes (Italian)

MP3: “Call Me” (Spanish version) by Blondie

MP3: “96 Tears” (en Español) by ? and the Mysterians

MP3: “Waterloo” (French version) by ABBA

MP3: “Wie Schön Das Ist” (How Sweet It Is To Be Loved By You) by Marvin Gaye (German)

MP3: “Green Circles” (Italian version) by the Small Faces

MP3: “Downtown” (German version) by Petula Clark

MP3: “Gira Gira” (Reach Out I’ll Be There) by the Four Tops (Italian)

Sampler Daze: WB/Reprise Loss Leaders, Part 2

Posted in Lost Classics! with tags , , , , , , , , , , , on August 30, 2009 by 30daysout

thebigball schlagers

I didn’t really think through how I was gonna do this series of blog posts: Warners released about 34 of these LP samplers between 1969 and 1980, sometimes springing three or four of ’em in one year.  I don’t have all of them, so maybe I will try and survey them year by year.  After the success of the first three samplers in 1969 (there was a single-disc collection we didn’t mention last time), Warners kept goin’ in the new decade with The Big Ball and Schlagers!

The label called these samplers “Loss Leaders” because while they obviously took some money and resources to produce and advertise, and they were selling them for a very cheap price (basically one buck an album) the company stood to lose money on the records.  But they were an awesome promotional tool: mixed in with songs that were already hits and soon-to-be hits were selections from artists on the label that were a little tough to market.  The samplers were a good way to put a taste of their tunes in listeners’ ears.  If not for the WB/Reprise samplers, I probably would not have heard people like Joni Mitchell, John Cale or the Youngbloods.  Samplers were certainly the first place I heard Little Feat, Black Sabbath and many others.

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