Archive for Rogers Recording

New Song Alert! “Someone Came To Help Me” by Orange Is In

Posted in Uncategorized with tags , , , , , on March 3, 2010 by 30daysout

Click here to listen to “Someone Came To Help Me”

Houston rockers Orange Is In are back with “Someone Came to Help Me,” a single that tells the tale of a transplant patient and organ donor. It was inspired by the patients, donor families and caregivers at The Methodist Hospital Transplant Center in Houston.

Bassist Jeff Balke and vocalist George Kovacik played at a “Donate Life” event at the hospital two years in a row and the third year we thought it would be good to write a song for the event, and this is the result. Guitarist Chris Rogers added his special touch on guitar, banjo and behind the boards, both as engineer and mixer. The song will be available for download on a variety of services, including iTunes, in mid-March.

Orange Is In official website

Orange Is In Facebook page

Orange Is In Twitter page



30 Days Out Interview: Steve Christensen, “Townes” engineer

Posted in Uncategorized with tags , , , , , , , , , , , , , , on August 13, 2009 by 30daysout

Christensen

Last week my band, Orange Is In, was recording drums for our latest project at Rogers Recording in Houston when I stumbled upon some cool information about our engineer Steve Christensen. Steve has worked with Destiny’s Child, Jermaine Dupri, Ray Wylie Hubbard and countless others who have passed through Houston’s legendary Sugar Hill Studios. He also worked on our first two records and is not only a great engineer, but also a great guy.

During a break, we decided to go to Antone’s Famous Po’ Boys to pick up a sandwich. If you’re ever in Houston, I suggest you get the “Original.” It’s filledtownes300 with salami, ham and lots of relish, but I digress. Anyway, we’re talking and Steve proceeds to tell me that he worked on Steve Earle’s latest and greatest disc, Townes. Pleasantly surprised, I asked him if he would answer a few questions about his whirlwind trip to the Big Apple and the making of, in my opinion, the best album of the year.

Continue reading